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International Journal of Servant-Leadership

Abstract

When Rodin first felt the looseness of the white Dominican robe Balzac wore to write in, his hands went still in the clay. He stood for a long while, learning the cloth’s heavy fall, letting it find its way to Balzac’s hands, which would hold the robe closed from within, simplifying the figure until nothing human would be noticed but the head in its defiance of a bronze repose.

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