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Journal of Hate Studies

Abstract

In this article, the author offers a critical contextual analysis that seeks to answer Giroux’s (2015) call for scholars to map and critically examine the “cultural circuits, points of connection, internalized values, discourses and pedagogies. . . responsible for both promoting and legitimating the likes of Donald Trump” (Don’t Get Distracted by the Buffoonery section, para. 1). To this end, this essay explores how the Trump candidacy and presidency, the rise of the Alt Right, and the appeal of New England Patriots quarterback, Tom Brady, to his fans who have nicknamed him as the ‘Greatest Of All Time’ (i.e. The G.O.A.T.), are all linked by 1) the lionization of a particular performance of white masculinity as omnipotent, and 2) a desire to unapologetically revitalize white male privilege and prerogative as the unquestioned norm across American culture. The author articulates these three cultural sites together—Trump’s racial and gender performance as a politician, the alt-right’s visions of white national manhood, and cultural representations of Brady as the embodiment of white male omnipotence—to emphasize the point that the white supremacist and anti-feminist ideas expressed by Trump, his administration, and the alt-right are not just beliefs held just by a handful of white racists with ‘hate in their hearts.’Instead, these retrogressive and anti-democratic ideas about race and gender have been circulating and cross-pollinating across American film, television, and sport media (among other cultural sites) over the past decade and have primed anxious white men to perceive the Alt Right and Trump’s efforts to revitalize white male prerogative in American civic life as reasonable.

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

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